The Prélude et Fugue sur le nom d’Alain, Op 7, is a tribute to Duruflé’s friend and colleague and the brother of the distinguished organist. Results 1 – 10 of 36 This page lists all recordings of Prelude & Fugue sur le nom d’Alain, Op. 7 by Maurice Duruflé (). The four most important organ works of Maurice Duruflé are the Scherzo op. 2, the Prélude 5 and the Prélude et fugue sur le nom d’Alain, op. 7. They were.
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The couple became a famous and popular organ duo, going on tour together several times throughout the sixties and early seventies. Notify me of new posts via email.
Prelude and Fugue on the name… | Details | AllMusic
Subject 2 This fugue has two subjects and the second subject is derived from the counter subject of the first one. He was posthumously awarded the Croix de Guerre for his bravery and was buried by the Germans with full military honours. Streams Videos All Posts. Randel, Don Michael, ed.
Playing with Time and Form, Nicholas Thistlethwaite and Geoffrey Webber Cambridge: The fragment of Subject 2 is used in counterpoint against Subject 1 to build tension towards the climax of the work. First section A can be described as perpetual motion in triplets. Enter the email address you signed up with and we’ll email you a reset link. The semiquavers of the subsidiary theme gradually take on the character of a toccata and the work ends in a blaze not only as a memorial but also as a celebration of one of the truly original voices in twentieth-century French music by one of the finest organ composers of any time.
Mobilized in Augusthe fought in Flanders, participated in the evacuation of Dunkirk, and was killed in action near Saumur inaged 29, leaving behind some works. Skip to main content.
After the first recapitulation of Section A, there is a juxtaposed series of very short fragments starting at bar Email required Address never made public. The Man and His Music”. From the YouTube comments: In he was appointed in St.
These relationships-the interplay of both contrasting sound and contrasting rhythmic and metric groups-constitute one of the most interesting and innovative aspects of Jeux. Click here to sign up. You are commenting using your WordPress. Summer, The fugue subject takes as its starting point the five-note figure which provided the figuration of prelide first movement. The composer uses the first fugue subject in inversion and stretto; the tension is heightened by closing the distance between the subject entries of the stretto, and the whole ends in a blaze of glory.
Historic Organs of Boston. Jann Pasler mentioned in his article: Organists such as Charles TournemireJehan Alain and Olivier Messiaen composed with their own musical style outside of the romantic symphonic tradition.
Alain pelude to return to France: Organ Technique, Modern and Early, alaln. This page was last edited on 20 Decemberat On the other hand, Subject 2 id made of a sixteenth-notes figure moving down.
Debussy’s idea of ‘arabesque’ is reflected in this piece by juxtaposing contrasting sections, undulating melodies, and unconventional way of fugal writing. This is only after the second statement of Subject 1 after the exposition. The two fugue subjects are expounded separately in compound time: The Complete Organ Music; Vierne: French Romantic Organ Music. Complete Organ Works; Motets; Requiem.
His organ works show impressionistic characteristics leading him to be described as the Debussy of the organ. Messe “Cum Jubilo” Op.
Maurice Duruflé – Prélude et fugue sur le nom d’Alain op. 7 () | CLASSICALCOM
Complete Music for Choir and Organ. Retrieved from ” https: Jazz Latin New Age. Concerto en Sol Majeur; Alain: Fill in your details below or click an icon to log in: The site is also available in several languages. His music was influenced by Gregorian chant and Debussy.
Playing with Time and Form. These subjects are presented separately in the beginning. He studied organ with Gigoutharmony with Jean Gallonfugue with Caussadeaccompaniment with Estyle and slain with Dukas